Clara Bradbury-Rance Talks Lesbian Visibility in Film

A new cinema text of note, Clara Bradbury-Rance’s Lesbian Cinema after Queer Theory (Edinburgh University Press) seeks to take an overdue dive into the long-standing conversation about visibility and representation in film. Grounding her research to an octet of films—Mulholland Drive, Nathalie…, Chloe, Water Lilies, She Monkeys, Blue Is the Warmest Color, and Carol—she offers new ways of thinking about the queer moving(…)