This is the story of Father Sam an aging Catholic Priest (brilliantly played by veteran actor Michael Murphy) who lives a quiet and somewhat boring life in a small Canadian town close to Niagara Falls. He seems to just go through the motions of attending to his parishioners, and his lonely and solitary existence is only interrupted by phone calls from his sister asking for support for their frail elderly mother.
However his peace is suddenly shattered when out of the blue he receives a letter from a man who claims that 40 years ago, when he was a 14 year old boy in Father Sam’s old parish, he behaved inappropriately with him. The charges are very vague to say the least but they nevertheless rattle Father Sam who drives all the way North to confront his accuser but chickens out at the last moment when he arrives at his house.
He does later discover that Christopher his accuser (Adrian Gabrylewicz) is dying, and when he actually ‘passes’ Father Sam receives another letter from his widow enclosing a $20 bill asking that he say a Mass for Christoper. This time when Father Sam drives back up to the house to specifically pay his condolences, he is met by an outraged widow who knew about the accusations made by her husband as she was the one who wrote the original letter.
The filmmaker Terrance Odette certainly doesn’t make light of the situation, but he does nevertheless take some pains to ensure that it is however not interpreted as one of the (sadly too) usual Catholic priest pedophile scandals. He implies that this was possibly a momentary lapse from a seemingly decent man and whilst what occurred was a betrayal of trust and abuse of his authority, it was on the scale of things, almost innocent (if that is such a possibility in these cases).
Between Odette’s script/direction and Murphy’s portrayal, Father Sam comes off as the one we feel we should sympathize with, which may make for good drama, but it is also one that will certainly disturb anyone who has ever been the victim of any abuse at all.
This totally fascinating documentary from Filmmaker Draper Shreeve follows a highly diverse group of individual queer men and women living in New York as it seeks out to uncover many aspects of contemporary urban LGBTQ life and culture. His selection of disparate stories does not seek to cover every side of our community, but does in fact offer a compelling portrait of some new American lives.
Shreeve’s subjects include an old-school gay man NY State Senator Tom Duane as he prepares for re-election; an 81 year old ex Brit art historian who is a bit of recluse ; an intellectual lesbian couple who treat their 11 year-old-twins as young adults; TJ a butch lesbian from Brooklyn who has an impeccable memory when it comes to recounting the details of all her past loves; Eric a fiercely articulate and charming Haitian/American trans who puts great faith in his mother and his spirituality ; and Mr Pam a very successful female director of gay porn who directs three really hot in a very explicit threesome (sadly off-camera). It is in fact ‘Mr Pam’ who holds the most forthright dialogue on her very refreshing take on changing attitudes to sexuality in particular that is a real highlight of the movie itself.
All of the stories are totally engaging and Shreeve somewhat randomly weaves them together in a most effective manner that makes for very compelling viewing. Beautifully photographed and imbued with both compassion and humor, its the perfect window into a NY that anyone of us would want to be a part of.
A young Palestinian author is stranded in Qatar after Palestinian authorities in the West Bank confiscated all copies of his latest novel and issued an arrest warrant for him — accusing him of including “sexual terms” in a provocative work that takes aim at taboo issues such as fanaticism, religious extremism and homosexuality.
The crackdown on 29-year-old Abbad Yahya has set off a wide public debate between the Palestinian society’s large conservative segment and the small liberal minority.
In a telephone interview, Yahya told The Associated Press that he was visiting Doha when he learned of the ban and the arrest warrant, published by the official governmental news agency. He said he is now stuck in the Qatari capital, fearing he would be arrested as soon as he returns home.
“I don’t know what to do. If I go back, I will be arrested, and if I stay here, I can’t stay far from my home and family,” he said.
The novel, “Crime in Ramallah,” tracks the lives of three young Palestinian men who meet in the city, which serves as the headquarters of the Palestinian government that rules in autonomous enclaves of the Israeli-occupied West Bank. The youths work together in a bar, where the murder of a young woman takes place.
One of the three, a gay youth, is arrested and interrogated about the crime. Although he is cleared of any charges, the officers realize he is gay and they beat and humiliate him. He ends up moving to France, looking for a society that accepts him.
The second man faces huge outrage from members of his conservative family after they learn that he works in a bar that serves alcohol, which is banned by Islam. Later in the book, he turns into a religious extremist.
The third man is the boyfriend of the murdered woman. He is haunted by the killing, which he witnessed while remaining paralyzed, unsure whether he should chase the killer or try to save his dying girlfriend.
Unable to stand the torment any longer, he ends up killing himself. The scene is meant to symbolize the Palestinian national movement, which has failed to rescue the nation or deliver independence from Israel’s 50-year-old occupation.
“Like all societies in the region, our society is seeing the growth of fanaticism and extremism and is reproducing social conservativism,” Yahya said. “These trends appear in the society in a mixture of religious and national slogans.”
The novel makes fun of Palestinian leaders and portrays them as losers. It also includes some graphic sexual language that many see as unacceptable in this conservative society.
The criticism of the novel and its author has been widespread, even among his colleagues.
Yahya “went too far in crossing the red lines of Palestinian society,” said literature professor Adel Osta. “The novel presented a bad image of the Palestinian Authority, and it uses unfamiliar sexual words which drove the Palestinian Authority to ban it.”
The head of the Palestinian Writers Union, Murad Sudani, harshly criticized the writer, saying he wrote a “silly novel that violates the national and religious values of the society in order to appease the West and win prizes.”
“The job of the writer in our occupied country is to raise the hope and enlighten people — not to break the national and religious symbols,” Sudani added. “My freedom as a writer ends when the freedom of the country begins.”
Yahya said that since the warrant was issued, critics have started to threaten to harm him and his family. “I don’t know what else they are going to do,” he said.
Ghassan Khader, a Palestinian Facebook user, wrote on his page that Yahya “should be killed or arrested or deported.”
Another Facebook user, Hussein Mihyar, wrote on the page of the attorney general to praise the ban. “This novel serves the Israeli occupation and destroys our young generation,” Mihyar said.
The internationally backed Palestinian Authority has tightened its grip in the West Bank since losing control of the Gaza Strip to the Hamas militant group a decade ago. It has occasionally arrested or harassed critics over comments posted on social media.
The uproar over Yahya’s book, however, has helped increase sales.
One bookshop owner in Ramallah said that he sold 10 copies of the novel in its first two months of release. But on the day of the ban, he sold 17 copies — before police came and confiscated his remaining copies.
The book’s distributor, Fuad Akleek, said he was arrested at a bookshop “in a very humiliating way.”
He said police grabbed him and pushed him into a car without showing a warrant. Akleek said he was held for six hours before the Palestinian culture minister, Ehab Bsaiso, intervened and arranged his release. But he said police confiscated all remaining copies, about 500 in bookstores and 500 in libraries across the West Bank.
Akleek said he was surprised by the rough treatment because there is no legal requirement for obtaining a permit in order to publish or distribute books in the West Bank.
“It is not a crime to distribute a book,” he said. “The one who judges a novel and author is the reader.”
Bsaiso, the culture minister, has also urged the attorney general to cancel the book ban and Yahya’s arrest warrant.
This undated personal photo provided on Thursday, Feb. 9, 2017 shows Palestinian author Abbad Yahya. He is stranded in Qatar after Palestinian authorities in the West Bank confiscated all copies of his latest novel and issued an arrest warrant, accusing him of including “sexual terms” in a provocative work that takes aim at taboo issues such as fanaticism, religious extremism and homosexuality. The crackdown on 29 year-old Yahya has set off a wide public debate between the Palestinian society’s conservative old guard and small, young and liberal minority. (Abbad Yahyia via AP) The Associated Press
Today, GLAAD launched glaadgrants, which provides completion funding and professional mentorships to content creators for in-progress works that advance GLAAD’s mission of amplifying diverse voices from the LGBTQ community. This comes as part of GLAAD’s goal to develop a pipeline of talented LGBTQ content creators that can move into the mainstream of Hollywood and be top of mind for the entertainment industry.
“Our vision is to support and inspire content creators to tell stories that accelerate acceptance of LGBTQ people here at home and around the world,” said GLAAD President & CEO Sarah Kate Ellis. “With a special emphasis on under-represented LGBTQ people, GLAAD’s work empowers real people to tell stories and amplify their voices, and glaadgrants is our latest initiative towards that goal.”
Those interested in applying can visit glaad.org/grants to learn about submission and application guidelines, as well as FAQs. The deadline for entries to be received is 5:00 p.m. PT, on Friday, March 24th, 2017.
According to GLAAD’s 2016 Studio Responsibility Index, only 17.5% of all major film studio releases in 2015 included LGBTQ-identified characters, with decreased racial diversity over the preceding year. And of the 895 series regular characters expected to appear on broadcast primetime programming within the 2016-2017 season, according to GLAAD’s most recent Where We Are On TV Report, only 4.8% were counted as LGBTQ.
This brand new initiative was established to ensure that innovative and creative LGBTQ stories in entertainment media are supported with needed funding. Additionally, creators of short or long form, scripted or documentary, digital or film content will have guidance from experienced and professional mentors, all in an effort to help them share their vision.
To complement completion funding, mentorships will provide an opportunity for knowledge, experience, and support to be provided by experienced and successful media professionals promoting best practices of quality filmmaking and digital storytelling through peer-to-peer support, ultimately enhancing the quality of the grant-recipient’s production.
Outfest, the Los Angeles-based nonprofit organization dedicated to nurturing, showcasing and protecting lesbian, gay, bisexual and transgender (LGBT) media, has announced its lineup for the 2017 Outfest Fusion LGBT People of Color Film Festival. Outfest Fusion, the only multicultural LGBT film festival of its kind, will be held March 1-7 at the Egyptian Theatre in Hollywood, Highland Park Cinema and various locations throughout Los Angeles.
Now in its 14th year, Outfest Fusion will include seven days of short and feature film screenings, filmmaker Q&As and networking events that celebrate the diversity of the LGBT community, followed by nine filmmaking workshops. Outfest Fusion is presented by HBO and supported by premiere sponsor Comcast NBCUniversal.
“It is fundamental to Outfest’s mission to create spaces where a multiplicity of voices can be heard and our varied experiences can be seen,” said Christopher Racster, Executive Director of Outfest. “Outfest Fusion does just that, sharing powerful stories, creating meaningful dialogue and affirming the voices that are usually at the margins. Outfest believes in the power of our stories to affirm our lives and create social change.”
Outfest Fusion 2017 will begin on Wednesday, March 1, with the world premiere of the hit Bawn TV web series “Cheetah in August.” On Friday, March 3 a special screening of Moonlight will be followed by a conversation about its impact on the community and the intersection of the black and LGBT experiences. Also playing that day is west coast premiere of the Cuban drama Santa Y Andres, the North American premiere of Cherry Pop and the world premiere of the web series’ “Brujos” and “Spectrum London.”
On Saturday, March 4, attendees will have a special sneak-peek of an unaired episode of the new Fox series, “Star,” followed by a discussion with creator Lee Daniels and stars Miss Lawrence, Brittany O’Grady, and Ryan Destiny. Following a screening of episodes of Netflix’s new “One Day at a Time,” executive producer Norman Lear, co-creators Gloria Calderon Kellett and Mike Royce, writers Becky Mann and Michelle Badillo. and stars Justina Machado and Isabella Gomez will discuss the queer experience within the Cuban American culture. The night will end with the yearly Fusion Gala Shorts screening at the Egyptian, which boasts the world premiere of April A. Wilson’s Care, Ozzy Villazon’s, Get The Life and Ken Sawyer’s Private Dick: Buying Dick. On Sunday, March 5 a panel called In Living Color, moderated by Gil Robertson of the African-American Critics Association and Tre’vell Anderson of the Los Angeles Times will examine the media and portrayals of the QPOC community.
Additional screenings throughout the festival include The LatinX Files: Queer Shorts, a series of short films exploring LatinX identities; No Place Like Home: Queer Asian Shorts, five films illustrating the bonds of Asian families; Black Queer Magic: African Diaspora Shorts, a collection of black LGBTQ films from around the world; No Dress Code Required (Etiqueta No Rigurosa), which won The John Schlesinger Award at this year’s Palm Springs International Film Festival; the Hindi drama Angry Indian Goddesses; 2016 LAFF Special Jury Prize for Comedy winner, Chee and T; the U.S. premiere of Apricot Groves by Iranian director Pouria Heidary Oureh; And Still We Rise, a documentary following the years-long resistance to the Anti-Homosexual Act in Uganda; and Out Run, a feature documentary about the world’s first LGBT political party as they fight for a congressional seat in the Philippines.
“We’re thrilled to be back with this year’s inclusive lineup of films and events that serve the mosaic of queer cultures that make up greater Los Angeles,” said Lucy Mukerjee-Brown, Outfest’s Director of Programming.
”We’re showcasing content from Uganda to the UK, from Mexico to the Philippines, as well as launching new work from many local filmmakers. It’s all about being able to see LGBT people of color on the big screen.”
Outfest Fusion will also be hosting nine exciting workshops that will take place at various locations around Los Angeles. Led by queer filmmakers of color, topics that will be covered include virtual reality, finding your story, creating content and smartphone filmmaking. The interactive classes will be instructed by Suicide Kale star, Brittani Nichols, creators and executive producers of the TV series “The DL Chronicles,” Deondray and Quincy Gossfield LeNear, Spa Night’s Andrew Ahn, “Cheetah in August’s” creator and director Anthony Newsome-Bawn, Outfest UCLA Legacy Project manager Taylor Morales, filmmakers and educators Marla Ulloa and Nidhim Patel, writer-actor-producer Ean Weslynn and writer-director Barney Cheng.
Outfest Fusion rounds out with Fusion Finale on Tuesday, March 7, at the California African-American Museum for the One Minute Movie Contest with the theme “I Hope. I Fear,” where submissions will be screened and prizes awarded.
For complete listings and to purchase tickets, log on to www.Outfest.org/fusion2017 or call 213-480-7088. Outfest Fusion 2017 is presented by HBO. Premiere Sponsors include Comcast NBCUniversal. Supporting Sponsors are Angel City Brewery, The Fight Magazine, and Wildfire Sonic Magic. Media Sponsors include Adelante Magazine and Lesbian News Magazine. Wells Fargo is an Outfest Fusion Funder.
When German high-schooler Phil (Louis Hoffman) returns from summer camp he is greeted so enthusiastically by his mother Glass (Sabine Timoteo) and his best friend Kat (Svenja Jung) as if he’d been away for much longer than just three weeks. We soon discover however that both these women tend to act melodramatically over almost every little thing. It is only his twin sister Dianne (Ada Philine Stappenbeck) who all but ignores him as she has obviously fallen out with their hippy mother over some issue and is now behaving in a surly secretive manner.
The family live in a rambling old fairy-tale house, called Visible for some unexplained reason, in a small provincial country town. Glass, quite the free spirit, has always refused to disclose the identity of the twins father which is a major source of irritation to Phil and seems to add to his feelings of insecurity. Glass seems to work through a whole series of lovers with an insatiable appetite. and the moment any of them try to get close to her, she immediately discards them.
The story however is not about her relationships but that of young Phil who is immediately awestruck when a handsome newcomer joins his class in school. Besides just watching Nicholas (Jannik Schümann) sprint around the track every day, Phil makes no effort to actually talk to him as he assumes that Nicholas is such a hottie and is out of his league. It turns out that not only is he very obtainable, but he actually makes the first move and hits on Phil in a very steamy scene in the school showers.
From then on a besotted Phil is totally hooked and persuades two middle-aged lesbian friends of his mother to loan him the use of their summer house for his ‘trysts’ with Nicholas. Phil even overcomes the potentially tricky situation of introducing his best friend to his new boyfriend and is surprised to discover that they not only do they all get along, but from that moment the three of them are inseparable.
It is obvious that the deeply sensitive Phil, throwing himself so energetically into his first real love that offers him a life outside of his roller-coaster relationship with his mother and the fading one with his sister, may have to deal with the possibility that what he has with Nicholas will not last for ever. He is however blinded by his infatuation that it never occurs to him that Nicholas is anything less than perfect.
Austrian filmmaker Jakob M. Erwa adapted Andreas Steinhöfel prize winning novel, and the fact he may have been sticking somewhat closely to that maybe the reason that the subplots of the twin sister, and to an extent the mother, were distractions from what is otherwise a rather charming coming-of-age tale. There is nothing extraordinary in the main thrust of the story, but the movie is filmed rather beautifully with the young good-looking cast members very convincing in their roles, in and out of their clothes.
Expect to see this at US Film Festivals in the coming year before it is released on DVD/VOD.
The GLAAD Media Awards recognize and honor media for their fair, accurate, and inclusive representations of the LGBTQ community and the issues that affect their lives.
The GLAAD Media Awards recognize and honor media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender community and the issues that affect their lives.
Outstanding Film – Wide Release
Moonlight
A24
Star Trek Beyond
Paramount Pictures
Outstanding Film – Limited Release
The Handmaiden
Amazon Studios/Magnolia Pictures
Naz & Maalik
Wolfe Releasing
Other People
Vertical Entertainment
Spa Night
Strand Releasing
Those People
Wolfe Releasing
Outstanding Comedy Series
Brooklyn Nine-Nine
FOX
Crazy Ex-Girlfriend
The CW
Grace and Frankie
Netflix
Modern Family
ABC
One Mississippi
Amazon
The Real O’Neals
ABC
Steven Universe
Cartoon Network
Survivor’s Remorse
Starz
Take My Wife
Seeso
Transparent
Amazon
Outstanding Drama Series
The Fosters
Freeform
Grey’s Anatomy
ABC
Hap and Leonard
SundanceTV
How to Get Away with Murder
ABC
The OA
Netflix
Orphan Black
BBC America
Shadowhunters
Freeform
Shameless
Showtime
Supergirl
The CW
Wynonna Earp
Syfy
Outstanding Individual Episode (in a series without a regular LGBTQ character)
“Attention Deficit” The Loud House
Nickelodeon
“Bar Fights” Drunk History
Comedy Central
“Johnson & Johnson” Black-ish
ABC
“San Junipero” Black Mirror
Netflix
“Vegan Cinderella” Easy
Netflix
Outstanding TV Movie or Limited Series
Eyewitness
USA Network
London Spy
BBC America
Looking: The Movie
HBO
The Rocky Horror Picture Show: Let’s Do the Time Warp Again
FOX
Vicious: The Finale
PBS
Outstanding Documentary
Mapplethorpe: Look at the Pictures
HBO
Out of Iraq
Logo
The Same Difference
Centric
Southwest of Salem: The Story of the San Antonio Four
Investigation Discovery
The Trans List
HBO
Outstanding Daily Drama
The Bold and The Beautiful
CBS
Outstanding Reality Program
Gaycation
Viceland
I Am Cait
E!
I Am Jazz
TLC
The Prancing Elites Project
Oxygen
Strut
Oxygen
Outstanding Music Artist
Against Me!, Shape Shift With Me
Total Treble Music/Xtra Mile
Blood Orange, Freetown Sound
Domino
Brandy Clark, Big Day in a Small Town
Warner Bros. Records
Tyler Glenn, Excommunication
Island Records
Ty Herndon, House on Fire
BFD
Elton John, Wonderful Crazy Night
Island Records
Lady Gaga, Joanne
Interscope Records
Frank Ocean, Blonde
Boys Don’t Cry
Sia, This is Acting
RCA Records
Tegan and Sara, Love You to Death
Warner Bros. Records
Outstanding Comic Book
All-New X-Men, by Dennis Hopeless, Mark Bagley, Andrew Hennessy, Paco Diaz, Nolan Woodard, Rachelle Rosenberg, Cory Petit
Marvel Comics
Black Panther, by Ta-Nehisi Coates, Brian Stelfreeze, Chris Sprouse, Walden Wong, Karl C. Story, Laura Martin, Matt Milla, Joe Sabino, Clayton Cowles
Marvel Comics
DC Comics Bombshells, by Marguerite Bennett, Laura Braga, Sandy Jarrell, Maria Laura Sanapo, Mirka Andolfo, Pasquale Qualano, Marguerite Sauvage, Juan Albarran, Kelly Diane Fitzpatrick, J. Nanjan, Jeremy Lawson, Wendy Broome, Wes Abbott
DC Comics
Kim & Kim, by Magdalene Visaggio, Eva Cabrera, Claudia Aguirre, Zakk Saam, Taylor Esposito
Black Mask Studios
Love is Love, anthology originated by Marc Andreyko
IDW Publishing, DC Comics
Lumberjanes, by Shannon Watters, Kat Leyh, Carey Pietsch, Ayme Sotuyo, Carolyn Nowak, Maarta Laiho, Aubrey Aiese
BOOM! Studios
Midnighter / Midnighter and Apollo, by Steve Orlando, David Messina, Aco, Hugo Petrus, Fernando Blanco, Gaetano Carlucci, Romulo Fajardo, Jr., Jeremy Cox, Tom Napolitano, Josh Reed
DC Comics
Patsy Walker, A.K.A Hellcat!, by Kate Leth, Brittney L. Williams, Natasha Allegri, Megan Wilson, Rachelle Rosenberg, Clayton Cowles
Marvel Comics
Saga, by Brian K. Vaughan, Fiona Staples, Fonografiks
Image Comics
The Woods, by James Tynion IV, Michael Dialynas, Josan Gonzalez, Ed Dukeshire
BOOM! Studios
Outstanding Talk Show Episode
“Angelica Ross” The Daily Show with Trevor Noah
Comedy Central
“Cookie Johnson” Super Soul Sunday
OWN
“North Carolina and Georgia Anti-LGBTQ Laws” Late Night with Seth Meyers
NBC
“Tony Marrero, Orlando Shooting Survivor” The Ellen DeGeneres Show
syndicated
“Trey Pearson” The View
ABC
Outstanding TV Journalism – Newsmagazine
“Bingham” SC Featured
ESPN
“Church and States” VICE News Tonight
HBO
“Gavin Grimm’s Fight” VICE News Tonight
HBO
“Life as Matt” E:60
ESPN
“Switching Teams” 60 Minutes
CBS
Outstanding TV Journalism Segment
“Gay Community in U.S. ‘Forged in Fire'” The Rachel Maddow Show
MSNBC
“Interview with Florida Attorney General Pam Bondi” Anderson Cooper 360
CNN
“Many in LGBT Community Fear Changes under Trump” NBC Nightly News
NBC
“Terror in Orlando” PBS NewsHour
PBS
“Troop Turnaround: U.S. Military Transgender Ban Ended by Pentagon” CBS This Morning
CBS
Outstanding Newspaper Article
“An LGBT Hunger Crisis” by Roni Caryn Rabin
The New York Times
“Mid-South Couples Celebrate First Year of Marriage Equality, But Challenges Remain for LGBT Community” by Katie Fretland, Ron Maxey
The Commercial Appeal [Memphis, Tenn.]
“Nowhere to Go: LGBT Youth on the Move” by Arielle Dreher
Jackson Free Press [Jackson, Miss.]
“Permission to Hate” by Elizabeth Leland
The Charlotte Observer
“Worthy of Survival” by Kathleen McGrory
Tampa Bay Times
Outstanding Magazine Article
“Battle of the Bathroom” by Michael Scherer
Time
“HIV Mystery: Solved?” by Tim Murphy
The Nation
“The Official Coming-Out Party” by Kevin Arnovitz
ESPN The Magazine
“On the Run” by Jacob Kushner
Vice Magazine
“Rethinking Gender” by Robin Marantz Henig
National Geographic
Outstanding Magazine Overall Coverage
The Advocate
Cosmopolitan
Seventeen
Teen Vogue
Time
Outstanding Digital Journalism Article
“105 Trans Women On American TV: A History and Analysis” by Riese Bernard
Autostraddle.com
“After the Orlando Shooting, the Changed Lives of Gay Latinos” by Daniel Wenger
NewYorker.com
“The Methodist Church May Split Over LGBT Issues. Meet the Lesbian Bishop Caught in the Middle.” by Becca Andrews
MotherJones.com
“These are the Queer Refugees Australia has Locked Up on a Remote Pacific Island” by J. Lester Feder
BuzzFeed.com
“The Uncertain Olympic Future for Trans and Intersex Athletes” by Diana Tourjee
Broadly.Vice.com
Outstanding Digital Journalism – Multimedia
“Last Men Standing: AIDS Survivors Still Fighting for Their Lives” by Erin Allday
SFChronicle.com
“New Deep South: Kayla”
TheFront.com
“No Access: Young, Black & Positive”
Tonic.Vice.com
“Unerased: Counting Transgender Lives” by Meredith Talusan
Mic.com
“Willing and Able: Employment as a Transgender New Yorker” by Jordi Oliveres, Santiago García Muñoz
Fusion.net
Outstanding Blog
Holy Bullies and Headless Monsters
holybulliesandheadlessmonsters.blogspot.com
I’m Still Josh
imstilljosh.com
Mombian
mombian.com
My Fabulous Disease
marksking.com
TransGriot
transgriot.blogspot.com
Special Recognition
Her Story
HerStoryShow.com
We’ve Been Around
WeveBeenAround.com
Outstanding Music Artist (Spanish Language)
Kany García, Limonada
Sony Music Latin
Outstanding Daytime Program Episode (Spanish Language)
“Juan Gabriel: Lo que se ve no se pregunta” Suelta la sopa
Telemundo
“Las lesbianitas” Caso Cerrado
Telemundo
Outstanding Television Interview (Spanish Language)
“Entrevista con Congresista Ileana Ros-Lehtinen y su hijo Rodrigo Lehtinen” Al Punto
Univision
“Entrevista con Congresista Ileana-Ros Lehtinen y Nicole Rose” Enfoque
Telemundo
“Matrimonio igualitario en México” Realidades en Contexto
CNN en Español
“Pulse” Showbiz
CNN en Español
“Terror en Orlando” Perspectiva Nacional
Entravision
Outstanding Local Television Interview (Spanish Language)
“Aceptación” Todos los Géneros
Mira TV [Miami]
“La lucha continúa” Enfoque Los Ángeles
KVEA-Telemundo 52 [Los Ángeles]
“Orlando: atentado contra la comunidad latina LGBT” Pura Política
NY1 Noticias [New York]
Outstanding TV Journalism – Newsmagazine (Spanish Language)
“El dolor en la voz de familiares” Un Nuevo Día
Telemundo
“Entrevista con Kany García” Primer Impacto
Univision
“Reto del corazón” Aquí y Ahora
Univision
“Siempre fui Xander” Aquí y Ahora
Univision
Outstanding TV Journalism Segment (Spanish Language)
“Comunidad LGBT rinde tributo a las 49 víctimas de masacre en Orlando” Noticiero NTN 24
NTN
“Luto en la nación” Noticiero Telemundo
Telemundo
“Masacre en Orlando” Noticiero Univision
Univision
“Masacre Orlando” Conclusiones
CNN en Español
“Miles se congregaron en Orlando por lo ocurrido en el bar Pulse” Azteca Noticias
TV Azteca
Outstanding Local TV Journalism (Spanish Language)
“Camuy, Puerto Rico” Noticiero Telemundo 51
WSCV-Telemundo 51 [Miami]
“A la calle por quien soy” Noticias 34
KMEX-Univision 34 [Los Ángeles]
“Ordenanza de baños” Noticias 23
KUVN-Univision 23 [Dallas, Texas]
“Sobreviviente de Pulse en Orlando” Noticiero Telemundo 51
WSCV-Telemundo 51 [Miami]
“La vida en transición” Telenoticias Washington
WZDC-Telemundo 25 [Washington D.C.]
Outstanding Newspaper Article (Spanish Language)
“Las discretas batallas LGBTI ganadas en Guatemala” por Sonia Pérez D.
Associated Press
“Ecuatoriano gay supera barreras y publica novela en inglés” por Claudia Torrens
Associated Press
“Padres latinos se acercaron a sus hijos tras ataque en Orlando” por Pilar Marrero
La Opinión
“Se buscan donantes de sangre, pero con restricciones” por Virginia Gaglianone
La Opinión
“Ser gay no es una enfermedad” por Pedro F. Frisneda
El Diario New York
Outstanding Digital Journalism Article (Spanish Language)
“6 mujeres transgénero exitosas que rompen moldes en América Latina” por Leire Ventas
BBCMundo.com
“Documental desmonta estereotipos sobre homofobia de latinos en EE.UU.” por Juan Carlos Gomi
efe.com
“La fotografía del niño mexicano que buscó impedir una marcha se vuelve viral” por Daniela Patiño
cnnenespanol.cnn.com
“La lucha para proteger los derechos de los estudiantes LGBT en Colombia” por Ernesto Londoño
The New York Times en Español
“Orlando trata de entender el porqué de la masacre en que murieron 50 personas” por Lizette Alvarez y Richard Perez Peña
The New York Times en Español
Outstanding Digital Journalism – Multimedia (Spanish Language)
“23 personajes LGBT mexicanos que la están rompiendo” por Mireya González
Buzzfeed.com
“49 poderosas y conmovedoras imágenes de la masacre de Orlando” por Daniel Rivero y David Matthews
Fusion.net
“Comunidad gay en México: ‘Nos sentimos desnudos ante la discriminación'” por Mario González
cnnespanol.cnn.com
“Conmovedor video retrata el prejuicio en Puerto Rico” por Marcos Billy Guzmán
elnuevodia.com
“Orlando recobra el pulso: la historia de tres sobrevivientes”
The charm of series is that the characters become old friends as we follow them through one book after the other and anxiously wait for the next one. The following mystery series with lesbian protagonists have been chosen for their excellent writing, surprising plot twists, and unusual, interesting characters. There’s a moderate level of romance ”as in most mysteries” but the love interests are not the emphasis. For a definition of “series”, I’ve used at least three books, but I want to mention Blue and The Last Blue Plate Special (Abigail Padgett) featuring Blue Carron, a reclusive lesbian social psychologist who lives in a half-built California desert motel. Although some of the series use professional crime-solvers to pursue the mystery, others feature sleuths in such professions as journalist, author, travel agent, and restaurant owner. Recommendations in alphabetical order.
For the past 25 years, Ellen Hart has been writing good summer reads about Jane Lawless, a restaurant owner in Minnesota, and her wacky sidekick, Cordelia Thorn. Hallowed Murder begins the series; Hart skipped only two years in publishing an annual addition to the series. The latest, The Old Deep and Dark, again features family problems as Jane saves Cordelia from another disaster. Here are the titles of this series in order of publication. https://www.goodreads.com/series/65509-jane-lawless
Another favorite is J.K. Redmann’s Micky Knightseries which begins in 1990 and is still going strong. Her skillful voice creates real settings and believable, caring characters who live in the real world of New Orleans both before and after Hurricane Katrina. Redmann deals with hard topics such as child abuse, human trafficking, and hurricane victims. A recurring character in the series is Dr. Cordelia James, sometimes a suspect in a murder, who is Micky’s on-again, off-again lover.
Death by the Riverside
Deaths of Jocasta
The Intersection of Law and Desire
Lost Daughters
Death of a Dying Man
Water Mark
Ill Will
The Shoal of Time
Katherine Forrest published the first of her series about police detective Kate Delafield in 1984. An LAPD ex-Marine homicide detective, Kate is militarily calm with a dogged determination to find the killer. Dealing more with character studies than mystery solving, the author slowly reveals personalities through the characters’ actions and interactions. Kate’s challenges come from chauvinistic and homophobic people in a world in which homosexuality is still illegal and feminism is still a nasty word.
Amateur City
Murder at the Nightwood Bar
The Beverly Malibu
Murder by Tradition
Liberty Square
Apparition Alley
Sleeping Bones
Hancock Park
High Desert
It’s been over a decade since my all-time favorite writer, Laurie King, published her last Kate Martinelli book in 2003, but I always hope for another one. San Francisco police detective Kate solves intricate, dark crimes of murdered children and homeless people while struggling with her complicated intimate relationship. As author of the Mary Russell series (Sherlock Holmes’ wife), King used a missing Arthur Conan Doyle manuscript in her final book of the series.
A Grave Talent
To Play the Fool
With Child
Night Work
The Art of Detection
The series from Mary Wings features Emma Victor from 1986 to 1999. Reminiscent of the old-time butch world, the clever and witty Emma Victor is a private eye who takes the reader through the compelling lesbian lifestyle in beautiful San Francisco after a rocky start in Boston. Through sub-plotting and meandering, the characters’ interactions, including casual sex and male-like stoic behavior, make the books fun.
She Came Too Late
She Came in a Flash
She Came by the Book
She Came to the Castro
She Came in Drag
Over a decade ago, Nicola Griffith introduced lesbian hero Aud Torvigen, a tough, ex-police lieutenant from the elite “Red Dogs” who has seen it all. Making Atlanta her home, Aud solves crimes as she kills without hesitation and without remorse, emotionally removed from the world. Icy-cold and hot at the same time, Aud is a character to follow.
The Blue Place
Stay
Always
British author Nicola Upson uses the Scottish playwright and murder mystery author Josephine Tey (aka Elizabeth MacKintosh) as the protagonist in this fictional series set in the 1930s. The atmospheric books about Great Britain that move between theater life in London and murders in rural England blend fiction with fact, include real characters in Upson’s world of murder. The first book, published in 2008, includes LGBT characters, but Tey’s lesbian relationship doesn’t occur until midway through the series.
An Expert in Murder
Angel with Two Faces
Two for Sorrow
Fear in the Sunlight
The Death of Lucy Kyte
Sandra Scoppettone’sLauren Laurano, a private investigator in New York City, started to solve crimes with humor and heart over two decades ago. The series begins with humor and ends with sadness but keeps the same charming character who seems like a close friend as she investigates deaths of friends and family.
Everything You Have Is Mine
I’ll Be Leaving You Always
My Sweet Untraceable You
Let’s Face the Music and Die
Gonna Take a Homicidal Journey
Sara Dreher’s slightly off-kilter character Stoner Mc Tavish entertains readers who like the unexpected. Through psychic connection and out-of-body-travel, Stoner is transported into different places and time periods, solving crimes and searching for her lover, Gwen. Helped by her fun-loving friend Mary Lou and her cool aunt, Stoner’s adventures are uplifting and crazy unusual. Sarah Dreher died in 2012, and I am saddened that both she and Stoner are gone.
Stoner McTavish
Something Shady
Gray Magic
A Captive in Time
Otherworld
Bad Company
Shaman’s Moon
Val McDermid was the first writer to hit the UK with a lesbian sleuth. Lindsay Gordon is a very feisty, very funny Scottish journalist who, with friends, family, and lovers, untangles conspiracies and exposes murderers. Her world is sometimes so dark that I’m reluctant to turn the page, but I always do. McDermid leaves the reader with unanswered questions and wanting another Gordon book.
Report for Murder
Common Murder
Open and Shut, Deadline for Murder
Conferences are Murder
Booked for Murder
Hostage to Murder
That’s my top ten – authors who succeeded in bringing back lesbian sleuths again and again, with style and amazing imagination. All these books should be in print and in libraries serving general populations.
Nayyef and Btoo talked about how they had fell in love as soldiers in Iraq. Screenshot
Ellen talked with Nayyef and Btoo, two gay soldiers from Iraq who fell in love, came to the US, and got married.
The two men met in the military and fell in love, but weren’t able to publicly acknowledge their relationship due to the often violently homophobic environment in Iraq.
“So I was in Ramadi, and at first we saw each other 6 months before we really knew each other,” Nayyef remembered. “And he just got out of the shower, and his hair was very black and shiny in the sun and I thought, ‘Oh my God, who’s this beautiful guy?’”
Nayyef was an English translator in the military. He was called a “traitor” by militias and found out he was being followed, so he applied for asylum in the US.
Btoo couldn’t leave Iraq immediately, so they talked every day by Skype for four years before he too could come to the US. They are married now and live in Seattle.
Ellen had a big surprise at the end of the interview for the couple. Be sure to stay till the end to see it.
Feeling helpless in the impending Trump administration? Author Gene Stone is here to help with his new book “The Trump Survival Guide.”
The new book, out Jan. 10 from Dey Street Books (a HarperCollins imprint), is a trade paperback priced at $9.99 that’s subtitled “Everything You Need to Know About Living Through What You Hoped Would Never Happen.”
Bereft for about eight days after the Nov. 8 election, Stone, a New York Times bestselling author with 40 eclectic titles of several genres to his credit, says he couldn’t bear to watch or read the news. “Survival Guide” was written over the next 12 days (“I’ve had magazine deadlines that were much longer,” he says) with the help of seven co-writers.
Its chapters are devoted to topics like civil rights, the economy, education, energy, national security, LGBT issues and more. It’s billed as a “serious call to action for all anti-Trump dissenters across the political spectrum” that “succinctly analyzes crucial social and political policies, explains how Donald J. Trump has the power to undermine them and provides concrete practical solutions ordinary people can use to fight back.”
Stone spoke to the Blade by phone from his office in New York City. His comments have been slightly edited for length.
Author Gene Stone has written 12 books that have made the New York Times Bestseller list. Five hit No. 1. (Photo courtesy Dey Street Books)
WASHINGTON BLADE: How did you channel your election funk into this project so quickly?
GENE STONE: After about a week of feeling sorry for everything, I decided, you know — and this is the point of the book — it’s one thing to be depressed and mopey and God knows I have friends who are still crying, but you have to do something. Being depressed doesn’t get you anywhere. Being dejected and crying doesn’t solve anything. … Sitting around doing nothing accomplishes nothing. I thought, “Well, I have to do something.” I’m not the deepest thinker in the world, but I’m certainly one of the fastest and I realized I could do this. I knew that I could turn this book around in a short period of time. I have a pretty solid publishing history so I knew I had the credibility to get a book contract for something like this. They knew I was dependable, that I’d done it before and could do it again. All that meant that I should do the book, I could do the book so therefore I felt I had to do the book.
BLADE: How unusual is this tight of a turnaround time in the book publishing world?
STONE: There was a time years ago when instant books were much more common. Bantam Books was famous for being able to turn around books in a couple of weeks. … It has actually gotten much less common because the way those books were often sold was through the bookstores that would support the book, put it on their counters and make people aware of it that way, but as bookstores have less and less market share, it’s actually harder to get something like this out now. A book like this on a counter priced at $10 is a very appealing prospect that doesn’t quite have the same appeal on Amazon …. so it’s become less and less common.
BLADE: Obviously all the chapters were important to you but did the LGBT chapter have any special significance being gay yourself?
STONE: I can’t really say any were less important than the others but when it came time to do the book — I had some friends help me; I couldn’t do it all myself, so I hired a few friends to help write, research and fact check, etc. — but I needed right away to come up with a template for each chapter and the LGBT chapter was the one I wrote first myself the night I got the book contract staying up till God knows when in the morning in order to get the template done because frankly, it was a chapter I knew really well. … That established the pattern for the rest of the book.
BLADE: When you mention the agencies readers may want to support at the end of that chapter, you mention GLAAD, GLSEN, Lambda Legal and others but only sort of mention the Human Rights Campaign, the largest, under “and don’t forget …” Why?
STONE: (pauses) As you can tell, I have some issues there.
BLADE: You also wrote “The Bush Survival Bible.” Did his presidency end up being better or worse than you expected at the outset?
STONE: Well, they’re in fact much different books. The Bush book was actually kind of a funny book. A mix of satire and jokes and some serious advice, but in the guise of a funny book. When Bush won, I was also depressed, unhappy, I didn’t like it, but at least Bush was in the ballpark. I didn’t agree with it, but there was no sense that the world was going to be turned upside down. The Trump book is not a funny book, it’s a serious book because I do have a strong sense that there’s a possibility that the world could be turned upside down and there’s nothing funny about that.
BLADE: Are there any lessons we can glean from the Bush years as a sign of things to come or is it not analogous enough to justify that sort of thinking?
STONE: Well, again, even with that Republican administration, even though we disagreed with so many of their policies, it felt nonetheless that there was some kind of dialogue available between the right and the left …. but I’m not getting that feeling with the Trump administration. Obviously it hasn’t started yet, but in looking at his cabinet picks and watching his first press conference, I’m not getting the sense that things are going to seem as normal as they seemed during the Bush administration so it’s almost like you look back and think, “Gee, could it ever be worse?” and now you realize, “Oh man, it is worse. It’s much worse.” So I’m not sure the lessons we learned in the Bush years really apply because we’re dealing with an entirely new creature and I don’t think he is going to abide by the rules. Previously there’s been a norm in politics and civil discussion that both sides, with a bit of a stretch, have maintained. We’re not seeing that now and that’s one of the things that worries me most.
BLADE: Does Trump’s impulsiveness and reactionary personality lessen the value we would ordinarily perhaps glean from all the endless prognostication and tealeaf reading we see at the outset of any administration?
STONE: Two months ago, I probably would have said yeah, but now we have been seeing a fairly consistent pattern so I’m beginning to think the mixed signals from Trump are a thing of the past. What we’re seeing now is a pretty consistent formula of appealing to the alt right or right policies. We haven’t seen anything to the left or even the center so it’s been pretty consistent. It feels like the inconsistency of the past is melting into this kind of dreary consistency.
BLADE: Ideology aside, is that a good sign or do you still feel he could go off on some crazy limb at any point?
STONE: Yeah, the latter. Obviously we don’t know what’s going to happen till it happens, but all the signals so far have been pretty negative if not very negative.
BLADE: What do you think was the biggest factor in Hillary’s loss?
STONE: That’s something we always want to do in the media, and I’m as much to blame as anybody else, but we want to talk about the thing, the one thing, that made this happen but I would say it was really a combination of the Comey letter, perhaps faulty campaigning on her part, the country wanting change and any number of other factors. I really think it was the imperfect storm of factors and remember — she did win the popular vote. … It was very close. He’s also coming in with the lowest favorability ratings since polling began.
BLADE: By design, this book will have a short shelf life. Are you OK with that?
STONE: That’s just the nature of a book like this — nobody will be reading this in two years. I write a lot of books. I co-wrote a book on how not to die based on plant-based diets and it’s sort of an antidote to the major causes of death in America and I like to think that book will be around for many, many years to come. … I’d be very happy if all the sales of this book took place in the next six months. For the lessons here to be applied, people need to read the book now.
BLADE: There are a lot of things one could point to — eight years of Obama, the Obergefell ruling, the outcry from the Trayvon Martin case and so on, that made it feel like we’d really turned a corner on the straight, white, old boys’ club in politics then bam, in one fell swoop the old boys’ club came roaring back to win the White House and both chambers of Congress. Is it just that entrenched or something else?
STONE: It does speak to entrenchment yes, but it also points to another factor that’s been prevalent in American politics since the beginning, its back and forth nature. Carter to Reagan, Bush to Clinton, Clinton to Bush, Bush to Obama — it’s been a lot of back and forth. And also the fact that they barely made it in this time makes me hopeful. I mean here we had a centrist, liberal woman running with very, very negative favorability ratings and yet she came really close to winning. I also like to think that unless the damage Trump does to our democracy is really overwhelming, that the pendulum will eventually swing back again.
BLADE: Did progressives get too complacent? If this shakes us from our complacency, is that the silver lining?
STONE: I agree with that. I think liberals have a tendency to think that we’re right. We know what’s right, we’re kind and decent and empowering. That’s the way humans are supposed to be but unfortunately, that’s not the way all humans are. We did get very complacent having a terrific president for eight years and this is going to shock us out of our complacency and hopefully make us work in a way we saw the Tea Party work. As much as I don’t agree with anything they stood for, I admire the way they got their objectives into the policies of America and we need to do the same. If my book is really about anything, it’s about fighting back and finding ways to take on the Trump administration, not by waiting four years to vote against it, but by turning every day of your life into some kind of act of resistance. If there’s anything that’s going to make me happy, and I’ve heard it a few times already, it will be to hear people say, “I read your book and I joined an organization or I donated money or now I’m going to go march in the women’s protest. The point of the book is to try to get people to move.
BLADE: But how much can really be accomplished in this environment. How was the Tea Party able to become such a force while, say, the Occupy movement seemed like it had difficulty sustaining itself or harnessing that energy into something with any measurable impact? Is the right just better at mobilizing than the left? How can you be effective when you’re not the group in power at any given moment?
STONE: Well, I think one of the things that motivated the Tea party is that it didn’t have a titular head. You couldn’t say so-and-so ran everything because it was such a grass roots thing taking place in so many parts of the country. We need to learn from that. You don’t need a powerful leader. You don’t need a spokesperson. Every one of us can be a spokesperson just as everybody in the Tea Party felt they could go to the media and say whatever they wanted, we can do the same. … I also think politics tend to trickle up from the local level and we just don’t seem to get that. We get all excited about presidents and senators but it starts with local representatives and school boards. We just don’t seem to organize on the local level the way the Tea Party can do.