James Kleinmann

Director Mercedes Kane’s touching and surprisingly expansive feature documentary Art and Pep, which received its world premiere at the 40th anniversary Outfest Los Angeles LGBTQ+ Film Festival, introduces us to two Chicagoans, Art Johnston and José Pepe Peña, who’ve been at the centre of the city’s queer community together for nearly fifty years. Partners in life and in business, they’ve owned and run the popular Boystown’s bar Sidetrack since April 1982. Signless and windowless, the bar first opened with homophobic spray-painted graffiti on the front door that read, ‘fag bar’. At least its patrons knew where to come. That first night was […]

Even if you didn’t know the full title of the bestselling memoir by entertainment journalist Michael Ausiello that this film is based on—Spoiler Alert: The Hero Dies—within the opening moments you’ll find out where it’s eventually headed. We see a heathy looking, but distraught Michael (Jim Parsons) in a hospital bed lovingly facing an ailing Kit (Ben Aldridge) with Michael’s voice-over telling us, “this isn’t how our story was supposed to end”. He then takes us back through their lives together, from the moment he first caught sight of the “sweatband-wearing matinee idol” on jock night at a New York […]

Rita Baghdadi’s feature documentary Sirens, which world premiered at the 2022 Sundance Film Festival, is a nuanced, intimate, and upbeat portrait of Lebanon’s only all-female thrash metal band, Slave to Sirens. Although it opens with footage of protests on the streets of Beirut with chants of “revolution” and shots of graffiti with phrases like, “homophobia is a crime”, Baghdadi’s focus for the first third of the film is introducing the band and giving us a sense of its history and the dynamics between the five members, rather than Lebanon’s uneasy social and political state. Cut with a pace and an energy that […]

Chase Joynt’s follow up to his exceptional No Ordinary Man (co-directed with Aisling Chin-Yee) about the life of jazz musician Billy Tipton, is the equally thrillingly and similarly genre-defying feature Framing Ages—expanding upon his own 2019 short—which just had its world premiere in the NEXT lineup at Sundance. It’s a fitting section of the festival for the film to play given that it not only poses questions about what is next in the evolution of the representation of trans lives on screen, but also continually challenges broader notions about storytelling and form.  Agnes is the pseudonym of a trans woman who sought gender affirming […]